Maladicta von Borogravia (
deshabille) wrote2014-11-28 11:09 pm
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twenty-two ☼ spam, BLOO TEAM
[Mal still doesn't understand what Thanksgiving is. She doesn't strictly speaking need to eat, and when she does it, she much prefers rougher fare than what the prizes consist of, such things being what she's used to. And she certainly doesn't know what a laser is.]
[However, she's inexorably drawn to blowing off steam and making a grand fool of herself, so she straps on all the ridiculous trappings of this inexplicable game and sets off into the hallways. She tends to improvise extra armor for herself, made out of scraps of metal, bits of cloth, and such, for maximum visual bafflement but minimal extra protection. By the end of the first day she's died and reset several times and is cheerfully ignoring the fact that she did just recently die not a week ago.]
[Her aim is not as good as one might expect of a soldier, but then, as Bush might scoff, infantry: what's to be done with them. She can be found anywhere, but most particularly holed up by the art room behind an easel, grinning like a loon.]
spam } mira, 11/30
[This is . . . refreshing. Sort of beautiful, actually, in a utilitarian way. The Barge gives her time to grieve, and then it forces her back to her feet. More merciful than a battlefield, more structured than everything that came before. She is pleased. If she were a cat, she'd be purring as she knocks on Mira's door.]
[She has read the file. Of course she has. It fascinates her, the swirling impossibilities twining around her legs, forcing her to believe in them. A world or worlds like these breed different sorts of men and monsters - and then there's Mira, born again. And again. And again.]
[It does not escape Mal's notice that she's approaching a suspect. She's not frightened, though. If anything, it makes the whole prospect more interesting.]
[However, she's inexorably drawn to blowing off steam and making a grand fool of herself, so she straps on all the ridiculous trappings of this inexplicable game and sets off into the hallways. She tends to improvise extra armor for herself, made out of scraps of metal, bits of cloth, and such, for maximum visual bafflement but minimal extra protection. By the end of the first day she's died and reset several times and is cheerfully ignoring the fact that she did just recently die not a week ago.]
[Her aim is not as good as one might expect of a soldier, but then, as Bush might scoff, infantry: what's to be done with them. She can be found anywhere, but most particularly holed up by the art room behind an easel, grinning like a loon.]
spam } mira, 11/30
[This is . . . refreshing. Sort of beautiful, actually, in a utilitarian way. The Barge gives her time to grieve, and then it forces her back to her feet. More merciful than a battlefield, more structured than everything that came before. She is pleased. If she were a cat, she'd be purring as she knocks on Mira's door.]
[She has read the file. Of course she has. It fascinates her, the swirling impossibilities twining around her legs, forcing her to believe in them. A world or worlds like these breed different sorts of men and monsters - and then there's Mira, born again. And again. And again.]
[It does not escape Mal's notice that she's approaching a suspect. She's not frightened, though. If anything, it makes the whole prospect more interesting.]
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[Bush shoulders his way into the art room with a very creditible roar of battle, only to stop and frown.]
Oh, you are blue team as well.
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[She grins at him from behind the easel, and shoots at him anyway.]
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Well, that is the infantry for you.
[He's nothing if not predictable.]
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Devastatingly clever?
[She twirls her gun, possibly by the handle, in some kind of improbable way, and pops out from behind the easel.]
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Well, I'm back to my room, then.
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What was your plan?
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[It's such big broad sarcasm, but there it is. He's wound up very fond of this ridiculous corporal and he's not sure how he allowed that to happen.]
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You know, that might just work! But I do like a diversity of targets . . . I could shoot at red things that move and you.
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[This is the only reason he is not firing at you. Because you may be Blue, but how can anyone who looks like that be even a little bit of a threat?]
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[Really she's just lost her mind a little, but that's neither here nor there: while Philip is staring, she shoots at him with a vicious grin.]
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What the hell are you wearing?
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Clothing. And extras.
Worked, didn't it? You lose.
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It worked, [he says, flatly.] It doesn't really do anything except make you look like a fool.
[YOU DIDN'T WIN.]
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[Clearly it bothers him. But this is a milit'ry technique, right, so. Stuff it.]
It stopped you, though. Am I hurting your eyes?
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[The whole of her is just insipid and plainly aggravating to him. It's most certainly not limited to the stupid outfit she's wearing. She should feel very proud.]
[Philip brushes past her roughly.]
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She's been mulling over it. She is - not sulking. She sulked at Cain, hard, at the idea of being passed from warden to warden with no impact like she was passed from life to life. She had expected to resent any new permanent warden just as much, anyone who would take David's place.
But Mal is hers, in the way victims are. And now she is Mal's, in the way that matters here. And Mira is - willing. Whatever this is, whatever this means. She leans in her doorway.]
Hello.
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[She isn't sure when she came to that conclusion. Halfway through the file, maybe; she found herself moved in a way that Hannibal never moved her. In a way that Pietro did. Fascinated in the way all three of them caught her, head over heels in interest.]
[She cocks her head.]
You saw the announcement. [Not a question.] Let me in, please.
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[Echoed slowly, contemplatively, like she's tasting it, gauging whether it was really a request or just a very pretty order. After a few more drawn out seconds, she seems to accept whatever conclusion she comes to, because she lifts her chin in a faint 'in, then' sort of gesture before turning, content with Mal at her back, leaving the door clear as she moves back into her room.]
You don't drink coffee anymore, right? Do you care about tea?
[They've never spoken before, that she can recall. But Mira has watched - Mal more than most, in the small space, because of Hannibal, still between them in more ways than Mal entirely know. Unless she does, unless she does, the last twitching moments - Mira doesn't know whether she wants Mal to know or not know, except that pain of uncertainty is exquisite. The knowledge of the disassembled struts of the crossbow stored under the couch, the surveillance equipment still tuned to the bug on Mal's collar tucked innocuously in the cupboards among other scanners and calibrators and mechanical tools that belonged to Dr. Torvalli's real lab assistant. Away and out of sight, mute but not off, always running in case she feels the urge to review it. There might even be a resonance, in this much proximity, a tiny amount of feedback. And suspended over their heads, directly under the lights, rows and rows of miniature worlds, still just water and feed solution and tiny unsprouted seeds in their nanoflex crystalframe test tubes, clear and hygienically sealed. Mira doesn't look at the couch, or the cupboard, or the ceiling. She gets what she needs to make tea.]
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[Stepping inside, she feels instantly, perfectly, comfortably on alert, her senses as heightened as they ever are. Something tinny in the back of her throat, vibrating in her ears. Mira is not looking anywhere but where she is going. Mira is very careful, or is not it.]
[Mal stops still in the middle of the floor, standing on her toes to brush her fingers against the test tube worlds. She is grinning. She has utterly forgotten to answer the question.]
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David wanted me to have a project. Something more cerebral than kitchen duty.
I don't think he ever really understood that I didn't mind menial things. He felt they were degrading to his intelligence. But then, he was much smarter than most of us.
[Or maybe it doesn't bother her because she was made more successfully into a tool, because her lipid brain grasping for culture and parents is so much more susceptible to her makers' suggestions than his mechanical empiricism. He could do more, comparative advantage. His drudgery was a waste, QED. She doesn't know if she wants to be upset or not, that she finds it comforting, kneading bread and chopping vegetables and putting ingredients together.]
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[Noise. Mira's talking. Distraction. But maybe she should focus. Mira is important, too.]
[Her eyes open, narrowed against the sensation of steam against her cornea. She grins again.]
I'm not taking you off kitchen duty. You can take on another task if you want it, but I don't know that you need it.
We haven't talked much. Which is funny, considering we've both been here quite a while.
I'll take that tea, thank you. We used to drink tea in the army hot and sweet and milky. Called it saloop. It's full of memories.
[She will remember.]
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[The most demure. u_u But of course Mal will know what all of that means. She puts lemon in her own tea, programs the second cup to Mal's specifications. Memories, after all, are important.]
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[Still. It's odd, to someone like Mal, so invested in people; why avoid them?]
Why?
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I'm supposed to be - charming and impressive but eminently forgettable, delightful enough to get anything and go anywhere I need to but too scintillating to be a real person, just a story about the wonderful sorts of people you meet traveling, an interstellar fairy tale. And I'm very good at that, but I don't like it, and I don't need it, here.
So I don't bother.
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Well, what do you think you're like? If not scintillating and charming. If not a story. Or what do you want to be like, if you'd rather that question, but it seems sort of on the nose, doesn't it? I'm no psychiatrist.
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Professional is the word she thinks first, immediate and unqualified, although she is not entirely sure which of the questions it is the answer to. Professional, she thinks, is the word for a knife that owns itself.
Who is she when she's real, who was she with Darling, who was she with Oscar Vale.]
Reckless. Dangerous. Thorough.
Young.
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[She shifts her weight, a touch uncomfortable at the reminder of her pending immortality.]
Takes a special kind of person to be reckless and thorough all at once. I, for example, am reckless, but very rarely thorough.
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[Does that help? Does that make it more or less odd? She isn't sure. Except that Mal is looking, no matter how roundabout her way of reacting, and Mira wants her to see. Wants to draw herself with clean lines.]
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I see what you mean. It seems very extraordinary, to me.
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I'm not sure those are quite the same thing.
I don't especially want to be unique. I've had enough of that. But I wouldn't like to be ordinary, either.
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[This is actually quite the confession, for Mal.]
You seem remarkably well-disposed to me knowing all of your secrets.
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[People like to share their accomplishments. She is learning to be a person.]
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What's your favorite secret?
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I give good gifts.
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That's a favorite secret that's partially about other people, though. Isn't it?
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...I think that's a secret I will keep.
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Understood. [It sounds like a yes, ma'am, as though she's accepted an order.] You'll have to give me something sometime, to give me a taste of it.
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